Asked by DXO Labs on their Fb page to give
some more informations about "Ages of Life - N°2, I made the following
reply, explaining the whole story behind this photo and more generally
about my photography work:
-" I don’t consider me as a “true” photographer but much more as “someone in everything”
As a composer and writer, painter and sculptor, I always have many things I try to say within my work (certainly too much! ☺)
I am just doing the same with photography. Photography is for me an “art carrier” as any other art media I use.
Even if I consider me not as a “pure” photographer, (as I don’t own the
same level of technique than “real” photographers can have), I always
try to improve myself and work a lot on both photography and post-prod
techniques. But, this is in the only aim to be free enough to be able to
catch into my pictures what I want to say within my work.
The
« Ages of Life » ("Lebensalter") fountain is a monumental work of art
which settles on the Wittenberg Place not for from famous KaDeWe
department store.
Two main things interested me in this sculpture/fountain.
- The first one was not, for sure, the global architecture of the
fountain which is, in its shape, like an heavy and « almost » hideous
mushroom made of granite and bronze standing in the meddle of a basin
with no grace, in a very post-second world war Germanic style .
It
was much more because of the fact the German sculptor Waldemar Grzimek
was commissioned in 1981 to design the fountain (with the architects
Wolfgang Schuster, Hartmut Bonk, Fee Franck and Christian Höpfner).
Unfortunately Waldemar Grzimek died in 1984 before the fountain was
erected. Meanwhile he got enough time to design almost all of the 12
bronze figures composing the scene. And precisely those sculptures make
the whole interest of the fountain.
I was, of course,
interested to see and shoot this fountain because of the recognized
talent of the artist, but even more because of his biography and the
evolution of his art through time and with the political upheavals of
his country during the 20th century.
He has been a witness of his century turpitude.
Born at the end of the first world war , he made his studies during A.
Hitler’s ascent and his seizure of power over Germany. Requisitioned
in the German Navy during the second world war, he, then, had to live
with the painful separation of both Germanies.
He taught arts, has been a freelance artist and died in the west Berlin before he could see the wall down.
Beginning as an animal sculptor whose work could not conflict with the
dictatorship and the political censorship, he moved to expressionism in
which melancholy and a certain disillusionment about the human nature
slowly settled. As any German he had to face the horrifying reality of
holocaust, as an artist he had to express his sensibility especially
when he was commissioned for the memorials of Sachsenhausen and
Buchenwald concentration camps. He won several prizes and one can see
many of his sculptures all through Germany.
- The second one
and the most important fact to me was that the “Ages of Life” fountain
is the very last realization of Waldemar Grzimek in his life.
So, it appears like an achievement.
The theme of “Ages of life” takes its whole meaning for a man who is going to die.
This is what I wanted to catch through my camera .
The question of life passing by: birth, youth, insouciance, pleasure, life, glory, gold age, doubts, decline, old age, death.
Each of those steps are into the “Ages of Life”.
And a recurrent question is asked by the sculptor in special work: Can
we stay young and jaunty, what ever happens, when the over strength of
Nature dominate humanity?
In the sculpture “Ages of life”, the
heavy concrete roof is like an implacable force which crushes the
figures. It symbolizes the oppression of Time.
Then the fact that “Ages of life” is also a fountain is not a fortuitous coincidence.
Water is purification. Water is rejuvenating source.
This is what I wanted to depict into my photo serial: “Ages of Life”.
This "Ages of Life" serial has been shot at different hours of the day and night.
At that time I used a Canon 7D with a canon lens EFS 15-85. Now, I am
mainly working with a Nikon D800e and various great lenses.
“Ages of Life – N°1” has a very graphic monochrome background, into the
grey shades, just like steel. Water drops are very linear as electric
sparks coming out of circular saws cutting metal. This is age of “bite”:
youth biting life.
A young carefree girl is on the front left hand
side of the picture while the steelworks background runs at top speed,
almost in fusion.
“Ages of Life – N°2” is very different even
if we find here again a naked young woman, more graceful, her elbows
leaning on a heavy square granite stone.
What is she waiting for ?
In the moonlight, the scene could be almost romantic.
For a while in the background, a disturbing black silhouette seems to observe her.
This is an old woman who seems to look at the youth with jealousy,
feeling that her own youth has desperately vanished for ever.
My purpose in this photo was to capture this desperate feeling that
anyone of us could get when we feel this lost of power to hold back
youth, in getting older and older every day of our life.
What could be done to stop the inexorable course of time?
As I previously said, water symbolizes the purity, the eternal
resumption (water, source, river, sea, evaporation, rain and again…),
the cycle of life (analogy with “Ashes to Ashes”), the rejuvenating
source, the eternal youth…
I have wanted here to add another dimension related with Time: Ice.
I wanted to symbolize this very frozen moment when water doesn’t flow
anymore, when it doesn’t happen anything else than silence, when Time is
stopped, when life can not go away anymore.
This is this very precious moment when death can not happen, will never happen.
The old women body is preserved by ice, like saved by cyonics, maybe she will born again…
My main difficulty was to succeed in making ice with running water in “Ages of Life – N°2”.
For this, I used a new and original process that I found, and tried to make out for the first time on this shot.
I am sorry but I would like not to give the process used here to ice
water as I have to experiment it on other photos before I can say with
irony I found the alchemy how to make ice with water ☺… at least in
photography!
The only thing I can say is that it is quite unusual and I have been very lucky.
I also tried the light and the colors to serve the topic:
The natural moonlight was the last faint light of the day, so black and
white would definitively be the basis. This is the link between day and
night.
But I also wanted the blue color to be included to symbolize
the coldness, and the pink color to symbolize femininity and youth.
I wanted to focus and jail the maximum of light only into the frozen cascade as a symbol of immortalized life into ice.
To end I would like to add that there will be coming two other photos to end the “Ages of life” serial.
“Ages of Life – N°3” will require from me to now succeed in making fire with water!...
So I am afraid it’s not done!... ☺"
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